This week, a discussion around printing (spoiler: be sure to use the correct profiles) leads to the start of a larger discussion around the perceived value of signatures. Do you sign your prints? If so, why? If you don’t, why not? Also, looking for the one camera that does everything—even the things you don’t currently need it to do—is a fool’s errand. Better to look for the right tool for the job at hand and let the future sort itself out. Brad Goldpaint is our Photographer of the Week.
This week, a discussion around the work and process of iconic Japanese photographer Daido Moriyama — specifically around the value of revisiting a place in order to refine your vision of it and how details often emerge through repetition. Also, how much time should you devote to your website? What are some “must have” features? Plus, do six-year-olds need to know about Daguerre? Eve Arnold is our Photographer of the Week.
This week, how do you know if you’re close to the target if the target hasn’t been clearly defined? We discuss the difficulty in embarking on a journey (creative or otherwise) without at least a direction. How to you calibrate your creative compass when there is no true North? Also, next week we’re talking about the work and process of Daido Moriyama, using a video in this week’s show notes as a reference. Plus, who was the nineteenth century’s most photographed individual? The answer may surprise you. Klaus Enrique is our Photographer of the Week.
This week, a couple books about Saul Leiter show that great photography is not always about per pixel sharpness and bright, saturate color. The problem is, when do you know when it is and when it isn’t? Can a photographic style be plotted like a course on a map, or does it only happen in the rear view mirror? Also, video seems to be the “it” factor for much of the photography industry, but is it worth it, when you consider the gear, the time and the ability required to really do it well? Arthur Tress is our Photographer of the Week.
This week, we talk about getting out of your own way and recognize that giving up control doesn’t mean giving up the wheel. Also, we discuss a fascinating article on Chuck Close and what we sometimes leave on the studio floor in the name of art. Plus, photojournalist Ed Kashi is our Photographer of the Week.