This week, we’re in a few different directions and we begin with a discussion around the Smithsonian’s newly opened National Museum of African American History and Culture. Specifically, do you feel an obligation to visit places like these – places that are as much a historical record as they are a cultural cautionary tale? Also, a followup to the gear discussion that we started last week. Plus, a terrific email from a listener inspires this week’s G+ group assignment. Claude Cahun is our Photographer of the Week.
This week, we begin with a discussion around how we actually discuss art, including some of the collective meaning of the terms we use. Also, can concepts like “commentary” and “criticism” be as effective if they are non-verbal? For example, is a jazz improvisation an appropriate response to a particular work of art? Also, we spend some time talking about gear, from Hackintoshes, to the slew of new cameras announced (or “pre-announced”) at this year’s Photokina. Alexey Titarenko is our Photographer of the Week.
This week, we’re talking about getting work out the door, and some of the difficulties that can arise around trying to figure out how and why to make the changes necessary to do it. Sometimes the best thing you can do is to take a step back from the thinking and the strategizing and just make. Also, we discuss the Documerica project and how differently a similar project might look today. Jacob Riis is our Photographer of the Week.
This week, we’re doing another Q&A show and, as usual, you all sent in some terrific questions that we had a great time going through. Topics include: how often to update your website, whether or not to shoot DNG, how to get more engaging street shots, whether or not to print in-house and a bunch more. Marc Riboud is our Photographer of the Week.
This week, a discussion around photojournalism inspired by the Netflix series Conflict that raises a few questions for us to chew on. Would you ever put yourself in harm’s way for a photograph? If you already do, why? Is it for the photograph or the thrill of the shoot? Or some combination of both? Is a photograph more valuable than the life that is potentially lost capturing it? Also, does taking photos at important or milestone events enhance or take away from your ability to enjoy/remember said event? Plus, a teaser for next week in the show notes: what do you see when you look at art? Richard Tuschman is our Photographer of the Week.