This week, making decisions. Sometimes moving through fear means letting go of the reigns — emotionally, creatively, maybe even geographically. But once you do, how much control do you actually have to change course? Are you at the whim of inertia, or do small moves open up new territories, whether you want them to or not? Plus, is monetization after the fact different or better than having it as a goal from the beginning? Frederick Sommer is our Photographer of the Week.
This week, what would you do as an artist without the right to express yourself freely? Do you censor your work or do you use your voice and push harder to make your point of view known? Also, what would you give up creatively in order to immerse yourself in something new? Plus, a couple entries from the Crit Wall. Ruth Gruber is our Photographer of the Week.
This week, we discuss the recent election not from a political perspective, but rather from the standpoint of making art and how to translate the reactionary energy into something good. Also, what are some differences between good and great street photography? Are there objective markers or is it merely great by degrees? Vicki Dasilva is our Photographer of the Week.
This week, with the proliferation of low cost gear and the barrier of entry so low, have the mechanics of making become too easy? Also, is there such a thing as “objectively good” and if so, how do you know it when you see it? Plus, has photo software reached the tipping point in terms of features? Jerome Liebling is our Photographer of the Week.
This week, we’re talking about the ups and downs we go to when we just can’t seem to connect with what we make. How do you keep moving forward when it feels like your wheels are just spinning in the mud. It’s not the feeling of being stuck because energy is still being expended — there’s just the feeling of not moving. Plus, does innovation happen by committee or does there need to be a single vision that the committee then supports? Shin Nogouchi is our Photographer of the Week.